A grassroots theatre collective in Kingston, Jamaica creates a play that memorializes the victims of a catastrophic institutional fire. Rather than recreating the fire itself or dramatizing the investigation, the playwrights use a specific West African spiritual ritual practised in Jamaica to symbolically resurrect the dead women and perform fragments of their lives before the disaster. The play's title consists of three letters, each the first initial of one of three fictional characters whose names evoke the working-class Jamaican women who perished. The play wins a national theatre award and is later published in an academic anthology of postcolonial drama. Using publicly available theatrical databases, published anthologies, or Caribbean cultural archives, identify the three-letter title of the play and the name of the theatre collective that produced it.